The Jellis Ring
There seems to be some discussion about the Ellis Ring on various magic forums. We thought this might as well be out there for all to read. Ron Bauer's "Jellis Ring" is just one of many tricks that RB put in print years ago. Remember, due to the space limitations, RB wasn't able to go into great detail. However, there is enough information to get the idea across. Have fun!
The Jellis Ring Copyright © 1981 by Ron Bauer
WARNING: THE FOLLOWING
CANNOT BE SUCCESSFULLY
ACCOMPLISHED WITHOUT AUTHENTIC
JELLIS RINGS. A JELLIS
RING IS AN ELLIS RING
MADE TO THE PRECISION STANDARDS
OF JOHNSON PRODUCTS... THE J IN JELLIS.
Those of you who are magic
scholars will recognize various elements
in this presentation. For
example, the finger ring which inadvertently
penetrates the string is
an idea of Dr. Frank Taylor. It
appeared in an issue of The
Phoenix as part of a Brema Nut
presentation. The basics of the
handling of the Ellis Ring are from a
manuscript by Bertram Millidge.
The combining of the split ring with
the shell was shown to me years ago
by Ed Marlo. And, of course, the
original idea of the shell and solid
ring came from Jardine Ellis. That
doesn't leave much credit for me to
claim, does it? But, why should I
want to get the credit? I'm getting
the benefits of their thinking. Without
those ideas I would never have
worked out this plot. You see, these
things aren't spontaneous. And to
simply hold a prop in a particular
way or to rearrange manipulations
to suit a particular fancy should not
be the basis for a claim of originality.
That's particularly true when
it's accompanied by eliminating the
originators of the idea. Shame on
me, I'm writing mean things.
Back to fun and magic. The presentation
for the following illusion is
straightforward. The magician attempts
the RING ON SHOESTRING
TRICK. First the wrong
ring, the one on his finger, ends up
on the shoestring. He tries again,
following a "carefully planned ritualistic
sequence" but with his other
hand. Success! Then as an apparent
after-thought, he forgets the "essential
ritual" and pulls the ring
visibly through the shoestring.
REQUIRED
A shoestring, preferably
the cord type, about two feet
long. Then you need Johnson Products
Ellis Ring plus a matching ring
with a split. Also, you must be wearing
a finger ring on your left ring
finger.
SET-UP
The regular Ellis Ring is
on the table so that it may, hopefully,
be examined prior to starting
this effect. If you must, have it examined
to begin the effect. It must
be accepted as solid, but too bad if
you start off with direct suspicion.
The shell-covered split ring is either
on your lap, or handy in your right
coat pocket. The shoestring is secretly
threaded through your finger
ring, on your finger. About six or
seven inches of the shoestring is
toward the top of the hand, the rest
comes out the bottom.
Click to Enlarge
PROCEDURES
- Call attention to the solid ring on
the table while secretly getting the
shoestring into position as in Figure
1.
- Hold the shoestring between the
right and the left hands and show it.
You may, if you want, let go of the
shoestring with the right hand and
grab the end in the left hand and pull
it about a foot or so through the left
hand, secretly through the ring.
Then grab the now shorter end sticking
out of the bottom of the left hand
and pull it back. Once again you'll
have reached a position as in Figure
1.
- Put both ends together. Hold
them with the left index finger and
thumb, and have a spectator tie the
two ends together. Or, if you wish,
you may tie the ends together yourself.
Once they are tied, gather up
the remainder of the shoestring with
the right hand and push it, as a
bunch, into the left fingers which
close around all the shoestring
except for the knot. Leave it sticking
out of the top. See Figure 2.
- Take the solid Ellis Ring and
push it down into the left hand
through the top of the hand between
the finger and thumb, until it
has joined the wadded-up shoestring.
- Say the magic words, or wave
your right hand over the left. Then
grab the knot with the right hand
and open the left fingers as you pull
the knot straight up and away from
the open left hand until the shoestring
is pulled taut on the linger
ring. The Ellis Ring will, of course,
fall with a thud onto the table. See
Figure 3.
- let go of the knot with the
right hand and ask a spectator to
take hold of it while you, casually,
pick up the Ellis Ring from the table
with the right hand. Ask a spectator
to untie the knot while you exchange
secretly the solid Ellis Ring for the
Ellis split ring with the shell.
- Once the shoestring is free of
your finger ring, the Jellis Ring is
placed between the index finger and
thumb of the right hand. The split is
hidden by the shell from the top.
From the front it's masked by the
area formed by the finger and
thumb.
- Pick up the shoestring by its
center with the left fingers and
thumb, letting the ends hang down.
Then drop the end nearest you
through the Jellis Ring as in Figure
4.
- With your left hand, place the
ring onto the fingers of the right
hand so that the string is draped over
the front and the back of the hand as
in Figure 5.
- Position the shoestring so that
both ends are together over the front
of the hand and a loop is hanging
down at the little finger end of the
hand as in Figure 6.
- You now apparently remove
the ring from the shoestring with
the left fingers. Actually, you take
the shell by the edge nearest you
with the left fingers and thumb, and
raise it over, and towards the spectators,
at the same time turning your
right hand toward you so the split
ring cannot be seen. See Figure 7.
- So that the hand can stay in a
natural position for hiding the split
ring and, at the same time, hide the
fact that the shell is only half of a
ring, place the shell between the
right fingers and thumb of the right
hand as in Figure 8. Then, with your
left hand, offer the ends of the shoestring
to a spectator to tie.
- Gather the loop end of the shoestring
into a bunch into the right
fingers, leaving just the knot protruding
from the top of the fingers.
Take the shell with the left hand and
push it down into the top of the
closed right hand as in Figure 9.
- Note in Figure 10 that the shell
is pushed down into the right hand
between the string and the split ring,
and the right fingers. Actually,
you're pushing it into the right
finger-palm position.
- Repeat the magic pass ritual as
in the first attempt to magically put
the ring onto the shoestring. Grab
the knot with the left hand and pull
the shoestring up out of the right
hand slowly and slightly toward the
left until it drags the ring out of the
fingers. It's important here that you
catch the ring as it leaves the right
hand with the right index finger and
thumb, grabbing the ring and hiding
the split. The impression, however,
is that you have merely caught the
ring by putting your index finger
through it as it emerges. See Figure
11.
- Have a spectator get a grip on
the knot. Put your left index finger
into the loop formed by the shoestring
and, simultaneously, pull your
right and your left hands apart sideways
causing a triangular shape to
form with the shoestring as in Figure
12.
- Maintain the tension between
the spectator's grip on the knot and
your grip with the left finger and
thumb. Move the split ring back and
forth against the shoestring until
you work it through the split. Then
give a tug toward the right so the
ring apparently penetrates visibly
through the shoestring.
- Now, as you apparently relax
your grip with your right hand on
the ring, let it slip back into your
fingers, and down into the shell
which is still in the finger-palm position.
Cover this by letting go of the
shoestring with your left hand. Turn
the left hand palm up, at the same
time turning the right hand palm
down, and place the shell and split
ring onto the fingers of the left hand.
Now everybody can take a good look
at the "solid" ring which has just
penetrated the solid shoestring.
- Casually pocket the JELLIS
Ring. If you want you may take it
back into the right hand and pocket
it long enough to exchange it for the
solid ring. Then bring that out and
set it on the table as though you've
lost interest in it. Often suspicious
types will reach for it at the first opportunity,
only to find that their suspicions
are futile.
Copyright © 1981 by Ron Bauer
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